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・ Piano Improvisations Vol. 2
・ Piano in the Background
・ Piano in the Dark
・ Piano in the Foreground
・ Piano Interpretations
・ Piano Interpretations by Bud Powell
・ Piano Jazz
・ Piano key frequencies
・ Piano Lesson (painting)
・ Piano Circus
・ Piano Circus (album)
・ Piano City
・ Piano Collection Vol. 1
・ Piano concerto
・ Piano Concerto (Barber)
Piano Concerto (Bliss)
・ Piano Concerto (Britten)
・ Piano Concerto (Busoni)
・ Piano Concerto (Delius)
・ Piano Concerto (Dvořák)
・ Piano Concerto (Furtwängler)
・ Piano Concerto (Grieg)
・ Piano Concerto (Higdon)
・ Piano Concerto (John Ireland)
・ Piano Concerto (Khachaturian)
・ Piano Concerto (Ligeti)
・ Piano Concerto (Massenet)
・ Piano Concerto (Pierné)
・ Piano Concerto (Ravel)
・ Piano Concerto (Rimsky-Korsakov)


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Piano Concerto (Bliss) : ウィキペディア英語版
Piano Concerto (Bliss)
The Piano Concerto in B-flat, Op. 58, F.108, was written by Arthur Bliss in 1938 and premiered in 1939. It is a powerful work in the nineteenth-century Romantic tradition, and at the time it was hoped it could prove to be a British "Emperor" concerto. Nicolas Slonimsky described it as "Lisztomorphic in its sonorous virtuosity, Chopinoid in its chromatic lyricism, and Rachmaninovistic in its chordal expansiveness".〔(Music Web International )〕
==Background==
Arthur Bliss had adjudicated at the Ysaye International Competition for Pianists in Belgium in 1938 and was particularly impressed with some of the competitors' performances. He wrote to his wife at the time:
I have heard twenty-two pianists play the same piece by Bach, the same piece by Scarlatti, and expect to hear them sixty-three times more. Never again! ... I am learning a lot by listening to these young players — the standard is high — and my Piano Concerto is going to benefit the experience. ... Hearing hour after hour so much brilliant piano playing made me wish to write an extended work for the instrument myself. I must have put intensive concentration into the wish, for almost immediately afterwards the opportunity arose.〔(classics online )〕

The opportunity that arose was a commission from the British Council for a piano concerto to be performed during British Week at the 1939 New York World's Fair with the pianist Solomon as soloist.〔〔(audiophile audition )〕
Bliss was then at the height of his powers – he had recently completed ''Checkmate'', a ballet brimful of exuberant vitality. Solomon worked closely with the composer on the scoring and engraving of the work.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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